Made through a process of careful repetition and fluid mark-making, these works occupy a space between observation and reverie. The titles—Verged Shade, Delicious Solitude, Fair Quiet—point to a state of withdrawal, or perhaps ease. They reference moments in the garden, but also moods: the pleasure of privacy, of stepping back, of letting forms arise without needing to name them. There is structure here, but also a kind of loosening—of thought, of self